Copyright reliant industries are the T-1000

The information equivalent of a nuclear bomb detonating over the Shima Hospital that is SOPA / PIPA last week would seem to have put a rather large question mark over the future of the these proposals (thanks to Wikipedia et al.).

Of course, copyright reliant industry’s troubled relationship with technology isn’t new. Historically, it’s been something of a slow-motion rear guard action over the years as technology steadily makes it easier and easier to distribute information. But previous attempts to combat the inevitable seem very quaint now that the stakes have been well and truly raised.

They say there’s only two things that are certain: death and taxes. Well, taxes is a given I suppose, unless you happen to be in a position to mostly lobby your way out of them. Death on the other hand is a little harder to lobby against at present. The Death card in the traditional Tarot deck (as watchers of The Simpsons or readers of Promethea may recollect) is often interpreted as representing change or transformation. In truth, perhaps the one universally inevitable condition is change. Following on from this, I thought I might try an analogy that incumbents such as the Motion Picture Association of America (MPAA) could find some affinity with: At present, the movie/TV industry is like the T-1000 from Terminator 2: Judgement Day. Once more or less invincible, now they find they are smack in the middle of the molten ore of advancing technology, transforming themselves into all the past shapes stored in their memory in a desperate attempt to avoid their own destruction. Read more...